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Media Bias and YOU

The Neurological Lens We are inherently subjective. This is not merely a personality trait but a neurological reality. Our brains utilise Co...

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NEW Call to Critics

I am still here, an adult student returning to the fray with the persistent aim of becoming a researcher and social critic in an era that feels literally designed to erode our collective focus. 

Since I first embarked on this journey in 2019, the "imminent amnesia" of our digital existence has only intensified. Yet, my core intent remains unchanged: to share the discoveries I find while navigating the social nuances of our increasingly complex web of life. 

I adjure you to see these words as a collaborative intellectual journey; one where I intend to use that free flow of expression which humanity deserves, even if the result is a bit of a mindf**k for the uninitiated.

As I continue to learn to write better and research with more depth, I am consciously exposing my work to the elements. I am a budding writer, and as such, my works are forever liable to criticism. I am not merely inviting your feedback—I am demanding it. I ask that you guide me through my shortcomings, pointing out when my style becomes unbecoming or when my logic drifts into the territory of "alternative comedy!" It is through these messy, intellectual engagements that we become truly aware.

However, let it be known that this is not a platform for the droids or the impartiality police. My work often touches on the jagged edges of global current affairs, and I expect those who step into the ring to do so with pure reason. If we lose the ability to argue with logic, then who do you blame when the truth becomes a ghost? We must recognise that we are all biased in our ways, yet we must strive for a standard that transcends the noise. 

I dream of being a writer, and while I know this will be a challenge for me, I am ready to find the knowledge between the lines.

2020 New Year’s day EastEnders. Summary review.

Soap specials are the talk around town during festivities. And given how long I have admired British soaps, I will weigh in my thoughts. My proof of expertise is simple – I am a secret lover of EastEnders.

My induction to the soap came after the famous death of Archie and the follow-up saga of “Who killed Archie?” I read about it in the Metro daily and got so enthralled, I had to find out for myself what it was all about. Then I watched the penultimate revelation in the 25th-anniversary episode and got hooked. What struck me back then was the amount of attention the special episode got. I later realised this is what to expect at certain times of the year. Those times when the storyline gets very interesting. So, given how much devotion I am now giving the show, I have put some words to paper about the first episode of 2020.

In general, I despise soaps. The same stories, but different angles. Nothing good ever happens. And 90% of the time for me, a good storyline gets ruined by unrealistic twists. Then there are the errors. Big continuity errors. More on this another day. These little quirks put me off the idea of devoting to it, that measly half-hour on weekdays. But this New Year episode was not a major disappointment.


The Night Before.

The episode leading up to it was on New Year's eve. Set on the very same day in Albert Square but centered around Linda, at a party hosted by Karen. A drunk Linda appears to be having fun, as you do, whilst p***ing many people off, including her husband. The episode was presented as chopped-up clips of the night but not necessarily in the right order! It was confusing. But then, it doesn’t take a lot to confuse me these days.

The New Year’s Eve episode of EastEnders seemed at best like an attempt at a psychological thriller from an aspiring film graduate. It was a well-meaning lead-up to the next episode but a mindf**k to those with a short span of attention. Albeit in all, it was compelling and kept me waiting for more.


NEW YEAR’S DAY. The Square. What happened on Christmas day?

This episode was set up to explain the previous one. It detailed what really happened on Christmas Day, and how it all ties into the new year.


Back when we were...

Be it gently or explosively, there is always some sort of chemistry between Ian and Sharon. So, imagine the world, where everyone is against Sharon. (Not that you’d need much imagination for such.) And the only hero to the rescue is Ian. The scenes left me dubious about the intention of the writers for him. Is Ian on the prowl? Or is he simply being a reliable friend?


The anti-climax.

The atmosphere got even tenser in Patrick’s household. Denise overstepped the mark with Sheree by snooping around her phone. Yet, I felt the story ended in such an anti-climax. Such an outcome did not warrant the series of events that led up to it. The one worthy ‘disappointment’ for me. Snarky looks, sharp words, a lost and wandering boy (or man?) – all that fuss over her son? Maybe some explanation will appear in upcoming episodes.


Gritty.

I was drawn to the family dynamics of “St. Martin”. At home, worried family members are baffled by the mystery of Dot’s missing money. And Dottie’s determination to find the culprit. When Dot brought the Bible out though, for the swearing-in of the potentially guilty, Sonia was quick to come up with a good suggestion. A "not so convincing" phone call to the bank’s fraud department followed. Only time will tell if this has anything to do with Sonia’s hefty savings account balance at the end of the episode. A poignant scene was when Dot expressed to Sonia how much Dot trusts her - above all others.

Away on devil’s bidding, Martin was a different character. The entire interaction between him and Keanu is a good example of British filmmaking. I enjoyed it. Every time the episode cuts to them, I was more attentive. The drama felt real. Although gripping, I did feel the ‘big boy’ in Martin was at times overplayed. A confused and babbling Keanu was in survival mode throughout. He snapped me out of my anticipation when he rugby-tackled Martin, as if out of nowhere. The fight sequence wasn’t a bad follow-up either.


Half-cut Linda.

Landlady Linda knocked back so much juice on Christmas night that she somehow ended up in the back of Martin’s van. Shut the front door! Well, she appeared from there to the sound of Martin letting one off. A shot that is. From the gun. Brought by Martin to kill Keanu. I think that was a warning shot. He went out for fresh air and clocked Linda. He was meant to be someplace no one else could have been. Linda was in trouble. Or so it seems.

Martin, out of options, explained his current engagement to a stunned Linda, whilst Keanu nurses his wounds. From the fight that is (fellow shortspanners). But somehow, through the sluggish walk and the hangover look Linda was surely not going for, she manages to etch a plan to believably keep Keanu alive. And she, almost near-perfectly, executed it in one breath. She shot Keanu! I felt she was bada**. Keanu manages to do a piece to the camera before he is shot again. This shot was planned. Phew! Martin now has video proof for Ben Mitchell – the job is done, ‘Keanu is gone’. For that brief moment, Linda was cold and calculating.

Now Captain Linda is complicit to Martin and Keanu’s resolution, it transpires she could have blurted out details of the event on New Year’s Eve. Will she keep it together or will the booze take over?


The Mitchell’s – a model family.

They partied. As a family. In full view of everyone. Good alibi. Karen crashed it though. She could not believe that Phil isn’t behind the fact her son hasn't been seen. And she made sure everyone knows it. Phil played it cool. 'It wasn’t me officer'.

Later, Ben meets Martin to watch the video. Martin gave a grand performance as he reminds Ben of their deal. And I saw a little hint, that maybe – just maybe – Ben was a little scared of Martin.


My take.

It felt like a time travel adventure with odd twists. The rearranged storyline came across as a scattered plot. A Welsh drama with no subtitles (at least to me.) But I felt the characters and their emotions. The fight scene wasn’t bad either. A rounded fantastic performance of a decent-ish storyline.


Oh, and the Ghost of Daniel’s future.

The upside is always a good love story. Daniel returned to save the day for the Slaters. He ensured they will not be kicked out by topping up their bills with the landlord. But shocked Jean didn’t take the news well upon realising Daniel faked his death. Their story was tied in nicely with all the other dramas in the square for the day. And in the end, Jean is even more in love.


And how was your New Year’s Day?


NOTE:
This is my first attempt at a review (to actually publish), so feel free to let me know what’s not right.

I managed to not check on previous and/or current reviews before writing this. Is that wise?

At this stage, I welcome any criticism – even the silly ones.


This post was first published on RC, Of Current Affairs.

Media bias - BBC or you?

We are subjective. Our reality is seen subjectively by each individual, we just can’t help it. The degree of subjectivity and susceptibility to being subjective however varies widely. Welcome, Bias.

One’s inclination for something and one’s prejudice against another, considering all things, cannot be individually investigated. i.e. I cannot get to the bottom of everything my best friend stands for or stands against. However, a collective voice in favour or against something is more identifiable. Lest we forget; I create my own bias, You create your own bias. Thus, my outlook on life is different from yours. My perception of bias is different from yours. My bias ‘for’ a subject could be your bias ‘against’ it. I shall not deny that there may exist corporation-level biases, but how much of such ‘bias’ do we agree with, based on our own individual inclinations and prejudices. As Roy Greenslade kindly put it, “Bias is in the eye of the beholder”.
BBC and recent criticisms of political bias.


Since the beginning of this century, the BBC has had an increasing share of complaints, more prominent is its level of impartiality. This debate is much more noticeable when it comes to politics, critics of which use the high instrumental word “bias” as a measure of impartiality.

The reporters and their employers are not the only purported instigators of political bias, the politicians themselves haven’t helped. Their unbridled promises during election campaigns and the imminent amnesia that follows when elected into office, seem to give support to that most fundamental of many individual’s bias - all politicians are liars. Then there are the critics. The ‘celebrated’ ones with academic prowess and/or glowing CVs, whose utterance supposedly will give us better insight into the subject at hand. But alas, apparently they pick sides. We also call them bias. Same goes for the analysts, academics and the occasional member of the public that manages to say the wrong thing in a vox pop - they are all biased. Then there's the corporation airing it all - definitely biased.

So when a politician with their own bias, is interviewed by a journalist with their own bias, sometimes edited before broadcast by people with their own bias, directed by an individual with own bias………

The BBC is a national institution, and for many a pride and joy - with good international standing. Defending it is all we can do. But we cannot defend it by criticising it for nearly everything. It’s not just the left, nor the right but literarily critics left, right and center. But is it the BBC that is really biased?


The claims of bias have become synonymous with lying. From the white lies from politicians, through the data manipulations by analysts, to the critics and academics who mixes research research results with personal beliefs, they all have an angle. At least that’s how we all see it. Once they have uttered a statement to support an argument, they mostly stand firm to defend it. Enter erroneous statements, latched onto by reporters with individual biases. The journalists who try to hold them to account are also human, keeping in mind our subjective nature. These individuals make up the corporation, individuals with different views. No matter how much a corporation tries to be impartial, the comments of its affiliated individuals will still be subjective - if not to the individual, definitely to someone else out there. The critic.

When ‘lies’ are caught out, people clash. When they are not caught out (yet), belief in such 'lies' are supported by each individual’s bias. When our bias is attacked and shattered, we naturally seek to defend it. This could be by calling others the liar, or outright biased. This reaction in itself is biased, is it not? Which poses the question: “Who is really biased?”


If you join a heated debate, and your opinion is sought, do you base your opinions on what has been argued from the start? Or from arguments you witnessed? Do you just give your own individual opinion without regard to any of the points previously raised? Have you ever considered how your expressed opinion will be interpreted by someone else? How will different sides of the argument react to your opinion? What happens when you find out a persuasive argument used during such debate was based on false information (without which it wouldn’t have been persuasive)? Who do you blame for what? Who is truly biased? Everyone that had a view? Or you - with a different view?


Never mind that most of these academics, critics and analysts may know their shit. No, we ignore that. I don’t agree with you, you are biased. According to most polls (if you believe in them), most people have apparently changed their minds in regards to the decision they made in the Brexit referendum. This makes the point that having these mixed opinions and analysis out there, however different, is informative in that regard, an advantage of this age of information technology. But one could also argue that the nature of this repetitive information (across the board) - which we were previously novice to - ends up creating a perception of bias, a disadvantage. Admittedly, some analysts and journalists may have forgotten the basic principle of fact-checking but at the same time, the fast-rising credibility of the so-called “fact-checkers” is now in tatters. It might be time for a new brand of news reporting: “Alternative journalism”. Alternative comedy didn’t do badly after all. But what will that look like? Spin doctors posing as journalists? Journalists that actually name their sources (so we know who to lynch)? Journalists with no personal opinions? Droids? And how the hell do we really know they are telling the truth?

I put it to you, that the ‘lie’ that inevitably leads to being seen as biased is actually ‘misinformation’. The new term for white lies.

Age of information.

The age of information clashes with the age of technology. We live in a world where our history and past activities are accessible at the click of a mouse and something you said as a drunk, naive, and possibly stupid teenager umpteen years ago, comes back to haunt you when you least expect it. The longer you are in the public eye, the more open to scrutiny you become. The more you leave yourself open to scrutiny - never mind the other alternative is to pack your job in - the more your past is delved into and compared to your yet undetermined future. The bias that led to such exploration for comparisons, leads the bias that will feed down the pipeline of multiple biases. Words become twisted, and alternative truths become the headlines. The worst must be when someone’s private life history is made public and the biases we have either of the person, their job, the story, or just the way it was obtained, becomes the forefront of our opinion on the subject. We are kept on our toes, always on the alert for bias, quick to point out others’ wrongdoings, when in most cases it is one’s own unjust bias that is to blame. The truth is what you believe to be true.

We are force-fed information that warrants suspicion but always suspicious where there is probably none. We have become indifferent when it matters, vocal, only where there is already noise.

For an age that is supposed to make us feel more fulfilled, its developments and the immoral uses of its technologies have led to the rise of other factors that blurs our outlook on reality and has made us even more individually biased. These include amongst other things large scale misinformation and of course, fake news, to the betterment of propaganda and to the unwitting extreme detriment of democracy. The perpetrators of these acts are the real influencers, not a public corporation. The individuals with warped views and equally warped practices. Individuals from all walks of life. Few of them may or may not work for the BBC, but for those who do - their opinions, or indeed our perception of their opinions, should not be used to judge the corporation as biased. Bearing in mind our own individual biases, are we fit to judge who is really biased?

Dumbfounded critics of criticism, y compri moi, impact more on partiality and polarization through social media than the Beeb and its journalism staff. That is the conclusion I have come to anyway, based on endless catfights and jibe-induced comments directed towards the BBC and its journalists on Twitter. If such exists, God help a BBC staff who quotes any ‘respected’ newspaper editor’s view on Twitter that differs from a follower’s view, or interviews in a style that differs from a certain wider audience’s approval. The same god will have to rescue the producer who is afraid to admit that their expected guest sent in a doctor’s note to explain their absence because such indifference will be seen as partiality. At this rate, decent journalists will start to actually change their reports in order to satisfy the “impartiality police”, then they’ll really be biased.


If we stop trusting all reporters and journalists, who are going to report the news? We only need to keep our defenses up by personally sifting through the news we have, respecting the opinions of the individual reporting it, gathering wider sourced reports individually and always being open to criticism whilst being mindful of other people’s potential bias. One certainly does not need to stoke the fire, especially because of one’s own bias. Most journalist’s error appears to be not being able to substantiate the credibility of their reports on demand as opposed to ‘taking sides’ when reporting. We need more evidence than “in my opinion” outburst on social media to really call the BBC biased.

Thus, irrationality and no due diligence does not constitute propaganda and bias. It’s probably just misinformation. Get the right information yourself!


By the way, how are you doing?

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Cardiff, Wales, United Kingdom
OSHII is an emerging writer and a beginner in social research. He is interested in the study of the mind and the nature of man. He is currently studying Mathematics and Education at The Open University in Wales. Cardiffian. @Manny_OSHII